Arsilda, Regina Di Ponto is Vivaldi’s fourth opera. First performed in at Teatro Sant’Angelo in Venice, its author’s ambition was to establish his nascent. Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant’Angelo in the fall of While Vivaldi had, by its debut. Antonio Vivaldi – Arsilda, Regina di Ponto Slovak National Theatre, Bratislava – Václav Luks, David Radok, Lucile Richardot, Olivia.
|Published (Last):||4 September 2015|
|PDF File Size:||14.58 Mb|
|ePub File Size:||14.53 Mb|
|Price:||Free* [*Free Regsitration Required]|
They have also performed at many European early music festivals, including the Italian festival Opera Barga, for which this production of Arsilda was prepared in Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all vivalddi our full-searchable Reviews Database. From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.
While Vivaldi’s instrumental music has been widely known for some time, only in recent decades have his operas attracted such attention.
OperaJournal: Vivaldi – Arsilda (Bratislava, )
The longest, at five minutes, is for Tamese: Hence, the edition is public domain in its country of origin or a government publication. In early OctoberGioachino Rossini summoned the librettist Gaetano Rossi to a villa owned by his wife, the soprano Isabella Colbran in Castenaso, just outside Bologna.
Sardelli is working on a critical edition of Arsilda for Istituto Antonio Vivaldi; in his authored excerpt in vivalxi liner notes, he points out his intention to implement both a musical and a musicological approach towards Vivaldi’s operas.
Send to a friend Send a link bivaldi this article to a friend with an optional message. The libretto was by Domenico Lalli, who had provided the words for Ottone in Villa three years earlier, inand was to collaborate with Vivaldi on several later operas. But a number of operas-some familiar, others forgotten-are neither of these. Fipple-flutes are used for pastoral settings, for example, while horns are used for the hunting scenes.
Composition Artist Credits Arsilda, regina di Ponto. Domenico Lalli, his librettist, who settled vicaldi Venice in after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please arsiilda here for further information.
No part of this website may be reproduced entirely without expressed written permission. On a visit to Pontus, Tamese and Barzane fall in love with Arsilda, she chooses Tamese, vivalei the two men fall out.
Lucia Sciannimanico and Joseph Cornwell stand out in a uniformly good cast. The music in this recording is based on the autograph of the work and is described as a “reconstruction of the original version” that emphasizes the first arias written rather than the composer’s later changes and additions for the performances.
Contents 1 Performances 1. This recording features the Baroque orchestra of Modo Antiquo, an ensemble with particular expertise in the music of Vivaldi and his contemporaries.
Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio)
A Florence Version of incomplete B Version of ? All of the singers on this recording convey the individual characterizations with knowledgeable awareness of performance practice and attention to phrasing, dynamics, and ornamentation. The story is complex and wholly unbelievable. Founded in under the direction of Sardelli, the group has made several recordings with Amadeus, cpo and Tactus, including vivalxi first complete recording of Vivaldi’s cantatas.
Vivaldi: Arsilda, Regina di Ponto – Federico Maria Sardelli, Modo Antiquo | Credits | AllMusic
As in previous recordings of songs by Wolf, Debussy and Poulenc, pianist Eugene Asti is her accompanist in Le Bal des Animauxa delightful collection of French songs about creatures of all sizes, from flea to elephant and from crayfish arsilva dolphin. Gramophone products and those of specially selected partners from the world of music. Thanks to the efforts of Sardelli and Modo Antiquo, scholars, Vivaldi fans, and opera lovers in general now have an additional example of Vivaldi’s early operatic style.
Send a link to this article to a friend with an optional message.
IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. The true Tamese, vovaldi, is disguised as the palace gardener, and both Arsilda and Lisea have an unexplained attraction to him.
Reliant on a pair of twins for its main intrigue–one male and one female–the story opens with Lisea, disguised as her brother Tamese and posing as King, and Arsilda, arsolda to be married to “Tamese. Gramophone’s expert reviews easier than ever before. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Arsilda employs several such scenarios, including a hunt that takes place in a verdant forest and a dungeon scene.
Many of the arias employ striking instrumentation to help convey the sense of the text.
Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams. Work Title Arsilda, regina di Ponto Alt vivadi. Moreover, its story hinges on concealed identities.
They may not be public domain elsewhere. More information about this can be found here. The all-time greats Read about the artists who changed the world of classical vivaldl.