eric thiman flood time piano. VIEW ON YOUTUBE. To our Riffstation community, While we work with labels and publishers on a paid Riffstation service. A Fool Such as I · A Time for Us . Flood Time · Flower Dance .. Flood Time is the fifth piece of Eric Thiman’s Water Pieces, a collection of works for piano solo.
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It could also be learned by a less outgoing student who admires this type of playing but has not yet really had a go.
Tone may be harsh or not well controlled in places, and the balance between hands may not always succeed. The full drama of the piece may be slightly inhibited but it will be a musical and committed performance. Flexibility, ease and power will be demonstrated. This means checking that the student has a good pedal technique and does not lift the heel, which in the excitement of this piece could easily degenerate into stamping on the pedal.
Free Resources Thiman – Flood Time. The composer then starts to bring forward individual notes which later become a melodic line that can be followed through the rhapsodic, ringing chord accompaniment. An excellent performance will leave the audience feeling refreshed and excited, almost as if they had really been out on the seashore with the composer.
The performer will convey a sense of revelling in the music. Take care to match the sound, so that the shape of the phrase is not lost.
In addition, strength and willingness to play loudly will need to be tempered by a delicacy in making the RH accompaniments murmur when the LH melody is to the fore.
Try marking out a copy of the music with symbols to show where the RH takes over the same notes as the LH, and places where the same chord shape is repeated in a different octave. The multiple layers of the music will be clearly heard, with the long over-arching lines audible across the chord changes.
Blurred pedalling needs to be carefully listened for and eradicated. For now, this tie shares an experience, not a discussion of its meaning. This piece is in a typically English style that draws upon German Romantic language, but with a distinctive English flavour that makes it lighter and more quirky.
Where chords cannot easily be named, it can be explained that this hime part of the style and colour of the music. There will be plenty of appropriate pedal, and some sense of character. He was dean of the Music Faculty of the University of London for a flood.
Eric Thiman – Flood Time
In keeping with the swirling watery mood, some rubato may efic used to shape the ends of phrases. Broken-chord fingerings will be much used. Explain and demonstrate how it is possible to lift the pedal as the new chord begins and replace it smoothly and without hurry while the first couple of notes are thhiman played. However, it should not be over-used as this could interfere with the onward momentum of the music.
Final Performance An excellent performance will leave the audience feeling refreshed and excited, almost as if they had really been out on the seashore with the composer.
Thiman Eric. Flood-Time [PDF] – Все для студента
This piece can be used as a hands-on instruction manual for identifying chords and inversions, applying what the student may well be tackling in their theory work. The chords will be secure and flowing, and the melodic material audible and well shaped.
Phrasing is irregular but natural, and is easily achieved simply by following the contours of the music. The dynamic contrasts will be bold, enhancing the dramatic mood.
Pedalling will enable non-legato fingering to be used where tone and emphasis are important — e. It can be a result of poor pedal technique such as lifting the timme or not allowing enough time for a clean and full change.
The flow of the chords will be reasonably secure. Pedalling Pedalling is required throughout and legato pedal changes are essential.
Flood Time sheet music for Piano download free in PDF or MIDI
This piece is a marvellous study for the release of tension while playing strongly. The student should develop an awareness of the feeling of freedom, and whilst practising should stop periodically to check that nothing is becoming locked.
By the time the piece is performed, a sound grasp of eeic pedalling will be essential, together with confidence in moving around the keyboard, crossing hands and making quick repositions of chord shapes. This will aid memorisation, if that is the goal, but floood help with fluent reading from the score. Practice Tips Try marking out a copy of the music with symbols to show where the RH takes over the same notes as the LH, and places where the same chord shape is repeated in a different octave.
Musically he stood in line of descent from Thimsn, Stanford and Parry, but with his sights firmly fixed on practicality and accessibility — composing a great deal for the amateur player and the less ambitious choir. Fingering Broken-chord fingerings will be much used.
Since this will all be pedalled it may be easier to take the last note of the bar with the RH to allow more time to reposition the LH. If coordination is a problem, slow down the entire sequence of actions so that the movements of the pedal are consciously integrated with the hands and the exact moment for each movement is known.
Thiman – Flood Time. Dynamics will be varied and there will be a good sense of phrasing.
Pedalling is required throughout and legato pedal changes are essential. Technique This piece is a marvellous study for the release of tension while playing strongly. This will suit a student with a strong sense of drama, who wants to project power from the keyboard and stir up the audience’s response.
This is consistent with the effect of eddying currents. Background Eric Harding Thiman was an English composer and organist, who wrote a great deal of choral and church thi,an as well as educational pieces for piano.
Bars 5 and 6 show the last dlood beats played by the LH, but this requires a very swift move back down the piano.