by Leopold Godowsky Hear Josef Hofmann play the Fledermaus symphonic metapmorphosis and you will understand why the term symphonic is used in the . Leopold Godowsky. Symphonic Metamorphosis on Themes from J. Strauss II’s ” Die Fledermaus, ” for piano. Composition Information ↓; Description ↓; Appears . Leopold Godowsky: Symphonic Metamorphosis on Themes from J. Strauss II’s ‘ Die Fledermaus’ – Play streams in full or download MP3 from Classical Archives.
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The transition between the second theme of the second valse and the first theme of the third valse is perhaps the most delicately impassioned passage I have ever written—it has genuine vitality!
Symphonic Metamorphosis on Themes from J. Strauss II’s ‘Die Fledermaus’
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You are not connected, choose one of two options to submit your comment: Godowsky obligingly indicates which numbers he is using by placing the appropriate lyrics above or within the stave.
Symphonic Metamorphosis on Themes… | Details | AllMusic
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Furthermore, Hamelin is a seasoned and subtle orchestrator at the piano; notice how he achieves such eloquent shading of simultaneous legato and detached phrases with no more help from the sustain pedal than is necessary. A sinister opening section toys with the rhythm from the operetta’s Act 1 trio also famous as the zestiest part of the overturepulling it from the muddy depths of the keyboard into the glittering upper reaches. August Total duration: Gramophone products and those of specially selected partners from the world of music.
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Godowsky: Concert paraphrase on “Die Fledermaus” by Johann Strauss
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